i have always feltif you know what you're going to do inadvance, then you won't do it. your creativity starts withwhether you're curious or not. roll them. action. when you build a building-- any building-- startwith the simple block model to see where that goes. most of our cities are builtwith just faceless glass,
only for economies andnot for humanities. as an artist, i'vegot constraints. gravity is one of them. but within allthose constraints, i have 15% of freedomto make my art. i'm always tryingto express movement. i was fascinated with the fold,so basic to our first feelings of love and warmth. these ideas are scary ashell to tell to the client.
they can reject you. and they will. but you've got tofind your own voice. create the logicfor it as you go. stretch it into another place. i'm just telling you howi did it and why i did it. whatever you do, promise methat every project you make or design, you'll take therisk of doing something for humanity.
i'm frank gehry, andthis is my masterclass. you'd think i'dknow when to quit.
